Bold, Eclectic KC Loft

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Here are some images I captured of a loft owned by a fun couple that took on designing their new loft. The brass colored coffee table was my favorite item throughout. I knew I had to come up with at least one shot that emphasized it front and center.

San Diego, CA

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I was recently in San Diego for a friend's wedding and had a couple first time experiences. It was my first time in California and first time using AirBnb. We stayed in Mission Beach and explored all around. I now understand California's allure... perfect weather all year long coupled with scenic views!

Hiring a Retoucher

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Today it's easy to confuse a photographer with a retoucher. After all, photographers retouch images to suite their client's needs. So what's the difference between a professional retoucher and a professional photographer? After taking the pictures it is the photographer's job to enter into post production. This is where they perform general adjustments on the images such as brightening shadows, toning down highlights, adjusting colors, straightening, cropping, and various other techniques to get the image in the ballpark of acceptable quality before delivering the photo to their client.

After general adjustments the photographer might bring the image into Photoshop to make pixel-level adjustments. These types of adjustments usually consist of cloning out objects, adding effects to certain areas, selective sharpening, and other final touches to make the image final.

A professional retoucher picks up what the photographer can't handle in Photoshop when necessary. Advanced Photoshop edits is what a retoucher is hired to do. In this case I used a retoucher to finish some images for a client that needed to emphasize the floors of a warehouse. My client is an inustrial flooring finishes company. The job here was to photograph the floors in a warehouse setting. 

The before images have forklift tracks on the floor that distract the viewer from seeing the floors. The warehouse looks empty but I was constantly dodging automated robotic forklifts and waiting for them to move out of the picture to get the right shots.

You can see the retoucher did a fantastic job at keeping the floors looking natural while minimizing the forklift tracks. This level of editing and adjustments is beyond my expertise in Photoshop. I'm pleased to share the retoucher's information here. He did a great job and I would recommend him for any project that needs advanced edits.

Retoucher

Alex Hart

alex@360start.com

Aerial Photography in Kansas City - What It's Like

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Don't Fear

It was my first time in a doorless helicopter, let alone a helicopter. The nerves were kicking pretty hard when we were gearing up for the ride. My fear of heights is "medium-light" so I thought if anything doing this photo flight would be a way to face a modest fear head-on. I found out later it was totally worth it.

Learning From Others

Mike Kelley, a wonderful architectural photographer has been doing some amazing things in Los Angeles with aerial photography. He wrote this guide on shooting aerials for photographers just getting into this type of work. After reading it half a dozen times I decided it was time to stop analyzing and go for it. Here are some of my own experiences that I can add for anyone looking to do this:

  • With the helicopter door off, the wind force is similar to sticking your hand out of a window on the highway. I wouldn't recommend sticking your camera out of the door your first time. 
  • The temperature outside was in the low 40's and I got hot even with the door off! The helicopter had heat that made the ride comfortable. I got hot because of my jacket and hat.
  • I had a slight case of motion sickness throughout the flight. This stemmed from the nerves and the newness of the experience. Go for a second flight and any nerves and motion sickness should go away 90%, it did for my second time.
  • Look down! Even with your plan in place on what you want to capture, I found that looking down enabled me to catch interesting scenes and details that I would have otherwise missed.

Kansas City Offers Unique Benefits for Aerial Photography

Blissful mountain ranges, deep blue ocean water, white sand beaches, mega skyscrapers, herds of majestic wild horses... KC has none of that. But let's not forget for every down there is an up! Despite the lack of unique natural landscapes, KC has a major advantage for shooting from a helicopter: Freedom.

What do I mean by freedom? Because of the lack of air traffic, ease of access to helicopter rentals, and density of KC's main features, capturing KC's scenes from a helicopter is surprisingly efficient. What amazed me when getting up in the air is how fast we moved across the city. My first flight I wanted to do three circles around downtown to capture what I could. After the third pass I asked my pilot "time" and he said "we've only been up eight minutes". Dumbfounded, I told my pilot to fly to other areas in the city and we arrived to each destination in a matter of minutes. What would have taken a few hours in the car we covered in the helicopter in about 25 minutes. The service I used takes off from KC's downtown airport which means you are just minutes away from everything.

Now Serving

I'm excited to announce that aerial photography (from a helicopter) is now a service I offer in the area. Capturing a project from the air offers an exciting perspective and context to what is happening on the ground.